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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 33 results
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Aeneas and Mercury (from "The Works of Virgil: Containing his Pastorals, Georgics and Aeneis," 1697)
Wenceslaus Hollar
1654
Frontispiece: The Works of Publius Virgilius Maro
Pierre Lombart
1654–68
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
before 1654
Initial letter "V" (U) (from John Ogilby's "The Works of Publius Virgilius Maro," London: 1654, p.1)
Wenceslaus Hollar
1654
Self-Portrait
Franz Cleyn
n.d.
Orpheus Taming the Animals?
Pierre Lombart
1630–82
The Cat and the Cock (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar
1665
[Varii Zophori, Figuris Animalium Ornati ...]
Franz Cleyn
1645
The Lion and the Mouse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar
1665
Sight (Visus), from "Quinque Sensuum"
Franz Cleyn
ca. 1655
Ovid's Metamorphosis Englished, Mythologiz'd, and Represented in Figures: An Essay to the Translation of Virgil's Æneis.
Ovid
1632
Smell (Odor), from "Quinque Sensuum"
Franz Cleyn
ca. 1655
The Sack of Troy–Pyrrhus Killing Priam
Pierre Lombart
before 1654
The Woodman (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar
1665
Taste (Gustus), from "Quinque Sensuum"
Franz Cleyn
ca. 1655
Christ and the woman taken into adultery
Franz Cleyn
1620–45
Hearing (Auditus), from "Quinque Sensuum"
Franz Cleyn
ca. 1655
Title Plate, from "Quinque Sensuum"
Franz Cleyn
ca. 1655
Border Designs for the Mortlake "Acts of the Apostles" Tapestries
Franz Cleyn
ca. 1626–36
Venus and Cupid (from Variae Deorum Ethnicorum Effigies or Divers pourtraicturs of Heathen Gods)
1654
The Works of Virgil: Containing his Pastorals, Georgics, and Aeneid, Translated into English Verse by Mr. Dryden, Adorn'd with a Hundred Sculptures, the Second Edition
Virgil
1698
The Lion and the Forester (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar
1665
Initial Letter "P" (from John Ogilby's "The Works of Publius Virgilius Maro," London: 1654)
Wenceslaus Hollar
1654
The Fox and the Cock (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar
1665
Quinque Sensum Descriptio
Franz Cleyn
1646
The Wolf, the Lamb, and the Crane (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar
1665
A scallop shell chariot
William Carter
1654
The Stag and the Horse (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar
1665
Dido complains: Her Sister gives advice to cherish Love and offer Sacrifice to favouring Gods
Pierre Lombart
ca. 1654
Christ and the woman taken in adultery
Franz Cleyn
1620–45
Touch (Tactus), from "Quinque Sensuum"
Franz Cleyn
ca. 1655
The Works of Horatio Walpole, Earl of Orford, vol. III
Horace Walpole, 4th Earl of Orford
1798
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Virgil
1654